A rather interesting piece. It is worth noting that the mile is linked tightly Bronze Age Mathematics and that it was locally adjusted to latitude as well. What did not change was the natural ratios involved. As the same issue occurs in music, it is no surprise that they are all linked.
Inasmuch as energy transfer is managed by resonance generally, it is no surprise that the modalities of sound apply as well.
Changing out the 440 tuning standard may be too difficult now but should be thought trough.
432 DNA Tuning and the Nazi-ization of Music
by Brendan D. Murphy
Not Quite Music to My Ears (An Intro to “Nazi-Rockefeller Tuning”)
(Nexus Illuminati) – It’s blatantly obvious to me, after over a decade of investigation, that humankind is the (largely unwitting) victim of a frequency war on our consciousness that has been waged for decades, if not millennia. The goal has clearly been to keep us as sheep-like, gullible, and subservient as possible—through multifarious means. In modern history in particular, there has been what Dr. Len Horowitz has referred to as the strategic “militarization” of music.
This happened in 1939 when the tuning of A=440 Hz was adopted in the world of music. In 1910 an earlier push to effect the same change was met with limited success. Three decades later, the British Standards Institute (BSI) adopted the A=440Hz standard promoted by the Rockefeller-Nazi consortium—“at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers.”[i]
But there’s more: the cochlea, the part of the inner ear that converts acoustic impulses into electrical signals, has a seashell-like spiral shape. A bilateral cross-section of the cochlea is mathematically describable through the Fibonacci series (the Golden Ratio / Phi as manifested in nature).
The Curious Case of 432
- Diameter of sun = 864,000 miles (432 x 2)
Interestingly 8+6+4 = 18 (1+ 8) = 9 the number of completion
- Diameter of moon = 2,160 miles (5 x 432 = 2,160)
2+1+6+0 resolves to a 9, as does 4+3+2 = 9 and 5 x 9 = 45 and 4 + 5 = 9 as well.
- Precession of the Equinoxes of Earth = 25,920 years (60 x 432)[ix]
2+5+9+2+0 also equals 9, while 6 x 9 = 54 and 5 + 4 = 9 also.
We see above an interesting relationship between the 432 and the number of completion arising as we look at this material. The numbers suggest that the “universal” or solar constant of 432 has to do with the “completion” (or completeness) of the manifest material world.
Interestingly, the leading acoustician in Beethoven’s time was Ernst Chladni (1756-1827), the godfather of cymatics. His music theory textbook explicitly defined C as 256/512 Hz, the “scientific” tuning. (The A above this C in this standard scale is 432 Hz.)
Perhaps this is to do with 432 squared—186,624 (1+8+6+6+2+4 = 9)—being within 1 percent accuracy of the speed of light, (186,282 miles per second, which also resolves to a 9!). The square root of the measured speed of light is 431.6(!) By deductive reasoning, we might speculate that “notes tuned relative to A432 harmonize directly with the light body [auric fields] allowing the vibrations to penetrate, and through entrainment, bring your energetic essence into balance. Entrainment is the tendency for a strong vibration to influence a weaker vibration.”[x]
Inversely, A=440 tuning may produce a dissonant or “agitative” effect on the aura/mind—and anything that disrupts/disturbs DNA will create contraindications in the aura due to DNA’s innate sound-light translation mechanism. The human aura, of course, is the closest thing we have yet been able to point to as “consciousness” or “mind” in the manifest measurable world, as I show in The Grand Illusion – Book 1.
Using 256Hz as the reference for C (where A=432), all occurrences of C are a power of 2. Interestingly, the Schumann resonance—earth’s electromagnetic “heartbeat” existing within the atmosphere between the earth’s surface and our ionisphere—ranges from about 7.83 to 8 Hz on average—very close to (and even the same as) 23. This isn’t terribly surprising if you consider the frequency of earth’s axial rotation: “Earth’s ‘pitch’ (cycles per second/Hertz) as it rotates is G, a fourth below the theoretical C that lies 24 octaves below middle C, when C=256Hz. So C256/A432 is in tune with the Earth’s rotation,”[xi] which is “in tune” with the speed of light, which is “in tune” with the diameter of the sun, which is “in tune” with the diameter of the moon, which is “in tune” with the precession of the equinoxes! That’s a lot of harmony, which is exactly what we should expect from a holofractal (scaled) plasma-based universe.
C#=544 Hz, NOT 554 Hz!
A.K.A The Breakthrough that Didn’t Quite Break Through
In a ground-breaking research collaboration initiated in the late 1980s, biologist David Deamer and composer Susan Alexjander sought to directly ascertain the frequencies emitted by the bases of our DNA (A, G, C, T). They did this by directly measuring the infrared absorption spectra of DNA molecules. These DNA frequencies were then arranged as “scales” of tones, and subsequently used as the basis for Alexjander’s musical compositions.
The atomic bonds within these base molecules “bend, stretch, and rock upon absorbing infrared light with a specific frequency related to the energy and strength of the bond and the mass of the nucleus of the atom. A tighter, smaller bond from, say, hydrogen, will absorb light with a higher wavenumber (number of waves per centimeter), and a higher ‘note’ in the infrared spectrum.” A spectrophotometer was used to ascertain the frequencies of the different bases. Inside this device, infrared light with frequencies ranging from 600 to 3000 wavenumbers (in units of cm-1) was passed through each sample, being absorbed at specific frequencies, which the instrument plots as a spectrum. Once the wavenumber was identified, it was converted to hertz using the following equation: Frequency (Hz) = velocity (speed of light) x wavenumber
Because this process involves infrared light—not sound—frequencies, huge numbers (megahertz) were obtained, that, if translated directly into hertz would be far beyond human hearing (and thus useless for creating a musical composition, as intended). Recognizing that if they were to halve the numbers they were getting—and keep halving (decreasing them by octaves at a time) until the number fell within the audible range of sound frequencies, they would end up with the same notes only at much lower (audible) octaves. Each DNA base yielded 15 – 18 notes; 60 in all. Interestingly, it appears that none of the bases emitted an A#—it was the only note of the diatonic scale missing.
Once this data was collected, it was converted into a human hearing range and programmed into a Yamaha DX7 IID synthesizer. They needed to use a “special electronic keyboard…because the tunings that were derived were almost all microtones” (tones smaller than a regular semi-tone, the smallest interval generally used in Western music).[xii] This presented Alexjander with a formidable challenge regarding creating actual musical compositions out of these tightly-packed clusters of DNA base notes. At first, there was no seeming organization or order to what she was seeing or hearing, when experimenting with the 60 different microtonal DNA notes on her synth.
Then, after weeks and weeks of experimentation with different sound combinations, a “tonal center” began to emerge. One pitch in particular seemed to lend meaning and coherency to the challenging microtonal morass—a pitch common to all four bases: C#(!)
Adenine: 545.6 Hz
Average DNA Hz = 544.2
This is where their project gets particularly interesting for those of us interested in sound-based healing, Just Intonation tuning, and the acoustic laws underlying creation.
You see, in today’s bastardized standard tuning (Equal Temperament), C#=554 Hz/A=440, and C=523. Look carefully at the frequency values of each DNA base above and you see that all four of them are fairly close to being tuned to this standard tuning (where A=440, the “Nazi tuning”). This C# “is positioned almost exactly in the center of the absorbency rates, and shows up as the average. This C# seems to act as a balancer for the entire spectrum of frequencies,” as Alexjander put it. She further observes that most of the gongs, bells, and drums of the non-Western world are tuned to this C# tonal center—as if we are collectively trying to subconsciously tune to something (natural cosmic harmonics).
in the ancient Just Intonation tuning system based on nature itself, C# is precisely 544 Hz—exactly what emerged as the dominant, central “organizing” DNA base frequency in Alexjander and Deamer’s research!
What made my jaw drop, however, was not that the four DNA bases’ tuning averaged out at 544 Hz, fairly close to standard tuning where C#=554 Hz (a discrepancy of only 10 Hz). It was, rather, the fact that when A=432 Hz, as in the ancient Just Intonation tuning system based on nature itself, C# is precisely 544 Hz—exactly what emerged as the dominant, central “organizing” DNA base frequency in Alexjander and Deamer’s research!Astonishingly, Alexjander and Deemer have apparently missed this crucial correlation. Apparently we have 432 DNA!
A432 Hz is the tuning of the Cosmic Keyboard or Cosmic Pitchfork, as opposed to the A440 Hz modern “standard.” It places C# at 136.10 Hz [544 Hz four octaves higher] “Om,” which is the main note of the Sitar in classical Indian music and the pitch of the chants of the Tibetan monks, who tell us “It comes from nature.” – Dameon Keller[xiii]
Now we are seeing a real basis for precisely why sound healing works—on every level of our beingness. It is a harmonic rule that whatever octave you are toning at, it will automatically resonate the other octaves of that note. So, even if you are toning vocally within the limited human vocal (or hearing) range, and you are toning into a chakra, if you have selected the “right” note, it can and will correct cymatic deformations in that chakra, even though the magnetic vortex of said chakra will be spinning at a frequency (and harnessing light at frequencies) far beyond the range of regular sense perception, and thus, invisible to most people. The law of harmonic resonance means that you will immediately affect light/matter on many octaves of the same note simultaneously. Because sound (vibration) organizes light/matter into form, it is potentially the most potent tool in a healer’s arsenal. Sound does strange and exotic things other tools cannot; “junk” DNA, for example responds to sound—codons can be turned on or off using acoustic vibrations, and our cell membranes (which are the “brains” of the cells) have antennae that detect sound vibrations and can pass them into the cellular matrix.
According to clairvoyant Barbara Brennan, former physicist and founder of the Barbara Brennan School of Healing, when she uses her voice in this way for healing chakra deformities, the chakra will stand up and spin correctly almost immediately. From there, it only takes a few seconds once a chakra is corrected on the first/etheric level to then become the correct color on the second level (emotional body) of the field.[xiv]
Well known biologist Bruce Lipton has stated that, aside from the better known “lock and key” cell receptor sites, there are also antenna-like structures (“primary cilium”) on the cell membranes in our bodies that respond to vibrational frequencies:
Receptor antennas can also read vibrational energy fields such as light, sound, and radio frequencies. The antennas on these energy receptors vibrate like tuning forks. If an energy vibration in the environment resonates with a receptor’s antenna, it will alter the protein’s charge, causing the receptor to change shape…Biological behavior can be controlled by invisible forces as well as it can be controlled by physical molecules like penicillin…[xv]
Co-founder of Global Freedom Movement and author of the critically acclaimed “mind-blowing masterpiece” THE GRAND ILLUSION: A SYNTHESIS OF SCIENCE AND SPIRITUALITY, Brendan D. Murphy is a leading expositor of the new paradigm of integrated science and spirituality/sovereignty, and has been referred to as the “Chomsky of the spiritual movement.”. He is also a passionate advocate of accelerated conscious evolution through sound-based DNA and kundalini activation.